Mount Ararat, also known as Masis or Mount Ağrı, is a snow-capped and dormant compound volcano in Eastern Turkey. It consists of two major volcanic cones: Greater Ararat and Little Ararat. Greater Ararat is the highest peak in Turkey and the Armenian highlands with an elevation of ; Little Ararat's elevation is . The Ararat massif is about wide at ground base. The first recorded efforts to reach Ararat's summit were made in the Middle Ages, and Friedrich Parrot, Khachatur Abovian, and four others made the first recorded ascent in 1829.
In Europe, the mountain has been called by the name Ararat since the Middle Ages, as it began to be identified with "mountains of Ararat" described in the Bible as the resting-place of Noah's Ark, despite contention that does not refer specifically to a Mount Ararat.
Although lying outside the borders of modern Armenia, the mountain is the principal national symbol of Armenia and has been considered a sacred mountain by Armenians. It has featured prominently in Armenian literature and art and is an icon for United Armenia. It is depicted on the coat of arms of Armenia along with Noah's Ark.
From the 16th century until 1828 the range was part of the Ottoman-Persian border; Great Ararat's summit and the northern slopes, along with the eastern slopes of Little Ararat were controlled by Persia. Following the 1826–28 Russo-Persian War and the Treaty of Turkmenchay, the Persian controlled territory was ceded to the Russian Empire. Little Ararat became the point where the Turkish, Persian, and Russian imperial frontiers converged. The current international boundaries were formed throughout the 20th century. The mountain came under Turkish control during the 1920 Turkish–Armenian War. It formally became part of Turkey according to the 1921 Treaty of Moscow and Treaty of Kars. In the late 1920s, Turkey crossed the Iranian border and occupied the eastern flank of Lesser Ararat as part of its effort to quash the Kurds Ararat rebellion,. during which the Kurdish rebels used the area as a safe haven against the Turkish state. Iran eventually agreed to cede the area to Turkey in a territorial exchange. The Iran-Turkey boundary skirts east of Lesser Ararat (or Little Ararat), the lower peak of the Ararat massif.
the mountain was open to climbers only with "military permission". The procedure to obtain the permission involves submitting a formal request to a Turkish embassy for a special "Ararat visa", and it is mandatory to hire an official guide from the Turkish Federation for Alpinism.
The Kurdish name of the mountain is Çiyayê Agirî (), which translates to "fiery mountain". An alternative Kurdish name is Grîdax, which is composed of the word grî, presumably a corrupted version of the Kurdish girê, meaning hill, or Agirî, and dax, which is the Turkish dağ, meaning mountain.
The folk etymology recorded in Movses Khorenatsi's History of Armenia derives the name from king Amasya, the great-grandson of the legendary Armenian patriarch Hayk, who is said to have called it after himself.
Several scholarly etymologies have also been proposed. Anatoly Novoseltsev suggested that it derives from Middle Persian masist, meaning "the largest". According to Sargis Petrosyan the mas root in Masis means "mountain", corresponding to Proto-Indo-European *mņs-. Armen Petrosyan suggested a link to the Mashu (Mashu) mountain mentioned in the Epic of Gilgamesh, pronounced Māsu in Assyrian. Additionally, the land of Erkuahi, mentioned in Urartian texts and identified with Ararat, may preserve a native Armenian form of the same name—erku (երկու) meaning "two" in Armenian.Armen Petrosyan. "Biblical Mt. Ararat: Two Identifications". Comparative Mythology. December 2016. Vol. 2. Issue 1. pp. 68–80.
In classical antiquity, particularly in Strabo's Geographica, the peaks of Ararat were known in ancient Greek as Ἄβος ( Abos) and Νίβαρος ( Nibaros).
An elevation of for Mount Ararat is given by some encyclopedias and reference works such as Merriam-Webster's Geographical Dictionary and Encyclopedia of World Geography.
Blumenthal estimated that the snow line had been as low as in elevation during the Late Pleistocene. Such a snow line would have created an ice cap of in extent. However, he observed a lack of any clear evidence of prehistoric other than those which were close to the 1958 glacier tongues. Blumenthal explained the absence of such moraines by the lack of confining ridges to control glaciers, insufficient debris load in the ice to form moraines, and their burial by later eruptions. Years later, Birman observed on the south-facing slopes a possible moraine that extends at least in altitude below the base of the 1958 ice cap at an elevation of . He also found two morainal deposits that were created by a Mount Ararat valley glacier of Pleistocene, possibly in the Last Glacial Period, downvalley from Lake Balık. The higher moraine lies at an altitude of about and the lower moraine lies at an altitude of about . The lower moraine occurs about downstream from Lake Balık. Both moraines are about high. It is suspected that Lake Balık occupies a glacial basin.
Mount Ararat consists of two distinct volcanic cones, Greater Ararat and Lesser Ararat (Little Ararat). The western volcanic cone, Greater Ararat, is a steep-sided volcanic cone that is larger and higher than the eastern volcanic cone. Greater Ararat is about wide at the base and rises about above the adjacent floors of the Iğdir and Doğubeyazıt basins. The eastern volcanic cone, Lesser Ararat, is high and across. These volcanic cones, which lie apart, are separated by a wide north–south-trending crack. This crack is the surface expression of an extensional fault. Numerous and have been built by flank eruptions along this fault and on the flanks of both of the main volcanic cones.
Mount Ararat lies within a complex, sinistral pull-apart basin that originally was a single, continuous depression. The growth of Mount Ararat partitioned this depression into two smaller basins, the Iğdir and Doğubeyazıt basins. This pull-apart basin is the result of strike-slip movement along two en-echelon fault segments, the Doğubeyazıt–Gürbulak and Iğdir Faults, of a sinistral strike–slip fault system. Tension between these faults not only formed the original pull-apart basin, but created a system of faults, exhibiting a horsetail splay pattern, that control the position of the principal volcanic eruption centers of Mount Ararat and the associated linear belt of parasitic volcanic cones. The strike-slip fault system within which Mount Ararat is located is the result of north–south convergence and Tectonism compression between the Arabian Platform and Laurasia that continued after the Tethys Ocean closed during the Eocene epoch along the Bitlis–Zagros suture.
Within Anatolia, regional volcanism started in the middle-late Miocene. During the late Miocene–Pliocene period, widespread volcanism blanketed the entire East Anatolian–Iranian plateau under thick volcanic rocks. This volcanic activity has continued uninterrupted until historical times. Apparently, it reached a climax during the latest Miocene–Pliocene, 6 to 3 Ma. During the Quaternary, the volcanism became restricted to a few local volcanoes such as Mount Ararat. These volcanoes are typically associated with north–south tensional fractures formed by the continuing north–south shortening deformation of Anatolia.
In their detailed study and summary of the Quaternary volcanism of Anatolia, Yilmaz et al. recognized four phases to the construction of Mount Ararat from volcanic rocks exposed in glacial valleys deeply carved into its flanks. First, they recognized a fissure eruption phase of Plinian eruption Fissure vent that deposited more than of pyroclastic rocks and a few basaltic .
These volcanic rocks were erupted from approximately north northwest–south southeast-trending extensional faults and fissures prior to the development of Mount Ararat. Second, a cone-building phase began when the volcanic activity became localized at a point along a fissure. During this phase, the eruption of successive flows of lava up to thick and of andesite and dacite composition and later eruption of basaltic lava flows, formed the Greater Ararat cone with a low conical profile. Third, during a climatic phase, copious flows of andesitic and basaltic lavas were erupted. During this phase, the current cones of Greater and Lesser Ararat were formed as eruptions along subsidiary fissures and cracks and flank occurred. Finally, the volcanic eruptions at Mount Ararat transitioned into a flank eruption phase, during which a major north–south-trending fault offset the two cones that developed along with a number of subsidiary fissures and cracks on the volcano's flanks.
Along this fault and the subsidiary fissures and cracks, a number of parasitic cones and domes were built by minor eruptions. One subsidiary cone erupted voluminous basalt and andesite lava flows. They flowed across the Doğubeyazıt plain and along the southerly flowing Sarısu River. These lava flows formed black ʻaʻā and pāhoehoe lava flows that contain well preserved . The radiometric dating of these lava flows yielded radiometric ages of 0.4, 0.48 and 0.81 Ma. Overall, radiometric ages obtained from the volcanic rocks erupted by Mount Ararat range from 1.5 to 0.02 Ma.
Parrot and Abovian crossed the Aras River into the district of Surmali and headed to the Armenian village of Akhuri on the northern slope of Ararat, above sea level. They set up a base camp at the Armenian monastery of St. Hakob some higher, at an elevation of . After two failed attempts, they reached the summit on their third attempt at 3:15 p.m. on October 9, 1829. The group included Parrot, Abovian, two Russian soldiers – Aleksei Zdorovenko and Matvei Chalpanov – and two Armenian Akhuri villagers – Hovhannes Aivazian and Murad Poghosian. Parrot measured the elevation at using a mercury barometer. This was not only the first recorded ascent of Ararat, but also the second highest elevation climbed by man up to that date outside of Mount Licancabur in the Chilean Andes. Abovian dug a hole in the ice and erected a wooden cross facing north. Abovian also picked up a chunk of ice from the summit and carried it down with him in a bottle, considering the water holy. On , Parrot and Abovian together with the Akhuri hunter Sahak's brother Hako, acting as a guide, climbed up Lesser Ararat.
Mount Ararat has been associated with the Genesis account since the 11th century, and Armenians began to identify it as the ark's landing place during that time. F. C. Conybeare wrote that the mountain was "a center and focus of pagan myths and cults… and it was only in the eleventh century, after these had vanished from the popular mind, that the Armenian theologians ventured to locate on its eternal snows the resting-place of Noah's ark". William of Rubruck is usually considered the earliest reference for the tradition of Mount Ararat as the landing place of the ark in European literature. ( archived) John Mandeville is another early author who mentioned Mount Ararat, "where Noah's ship rested, and it is still there".
The ark on Ararat was often depicted in mappae mundi as early as the 11th century.
In 2001 Pope John Paul II declared in his homily in Yerevan's St. Gregory the Illuminator Cathedral: "We are close to Mount Ararat, where tradition says that the Ark of Noah came to rest." Patriarch Kirill of Moscow also mentioned it as the ark's resting place in his speech at Etchmiadzin Cathedral in 2010.
Those critical of this claim point out that Ararat was the name of the country at the time when Genesis was written, not specifically the mountain. Arnold wrote in his 2008 Genesis commentary, "The location 'on the mountains' of Ararat indicates not a specific mountain by that name, but rather the mountainous region of the land of Ararat".
There is historical and modern mountain worship around it among Armenians. Ararat is known as the "Sacred mountains" of the Armenian people.
Ararat was the geographical center of ancient Armenia. In the 19th-century era of romantic nationalism, when an Armenian state did not exist, Ararat symbolized the historical Armenian nation-state. In 1861 Armenian poet Mikael Nalbandian, witnessing the Italian unification, wrote to Harutiun Svadjian in a letter from Naples: "Mount Etna and Mount Vesuvius are still smoking; is there no fire left in the old volcano of Ararat?"
Theodore Edward Dowling wrote in 1910 that Ararat and Etchmiadzin are the "two great objects of Armenian veneration", while Jonathan Smele called Ararat and the medieval capital of Ani the "most cherished symbols of Armenian identity".
According to an account (anecdote) widely reported since the 1930s, Turkey raised the issue of Ararat being on Soviet Armenia's coat of arms with the Soviet Union. The Soviet response, attributed to Foreign Commissar Georgy Chicherin, pointed out that Turkey's flag features a crescent moon despite Turkey not owning the moon. Later sources described it as likely apocryphal.
It is also depicted on the emblem and flag of Yerevan since 2004. It is portrayed on the breast of a lion along with the Armenian eternity sign. The mountain appears on the emblem of the Armenian Catholic Ordinariate of Armenia and Eastern Europe.
Ararat appeared on the coat of arms of the Armenian Oblast and the Georgia-Imeretia Governorate (image), subdivisions of the Russian Empire that included the northern flanks of the mountain. They were adopted in 1833 and 1843, respectively.
Turkish analysts argue that regular references to the Armenian Genocide and Mount Ararat "clearly indicate" that the border with Turkey is contested in Armenia. Since independence from the Soviet Union in 1991, the Armenian government has not made official claims to any Turkish territory, however the Armenian government has avoided "an explicit and formal recognition of the existing Turkish-Armenian border". In a 2010 interview with Der Spiegel, Armenian President Serzh Sargsyan was asked whether Armenia wants "Mount Ararat back". Sargsyan, in response, said that "No one can take Mount Ararat from us; we keep it in our hearts. Wherever Armenians live in the world today, you will find a picture of Mount Ararat in their homes. And I feel certain that a time will come when Mount Ararat is no longer a symbol of the separation between our peoples, but an emblem of understanding. But let me make this clear: Never has a representative of Armenia made territorial demands. Turkey alleges this—perhaps out of its own bad conscience?"
The most prominent party to lay claims to eastern Turkey is the nationalist Armenian Revolutionary Federation (Dashnaktsutyun). which claims it as part of what it considers United Armenia. In various settings, several notable individuals such as German historian Tessa Hofmann, Slovak conservative politician František Mikloško, Lithuanian political scientist and Soviet dissident Aleksandras Štromas have spoken in support of Armenian claims over Mt. Ararat.
Mount Ararat has been depicted on various Armenian dram banknotes issued in 1993–2001; on the reverse of the 10 dram banknotes issued in 1993, on the reverse of the 50 dram banknotes issued in 1998, on the obverse of the 100 and 500 dram banknotes issued in 1993, and on the reverse of the 50,000 dram banknotes issued in 2001. It was also depicted on the reverse of the Turkish 100 Turkish lira banknotes of 1972–1986.
Ararat is depicted on the logo of two of Armenia's leading university, the Yerevan State University, on the logos of Football Club Ararat Yerevan (since the Soviet times) and the Football Federation of Armenia. The logo of Armavia, Armenia's now defunct flag carrier, also depicted Ararat.
Ararat (now Etchmiadzin) was the name of the Armenian Church's official magazine, the first periodical in Armenia, launched in 1868. The publications of the Social Democrat Hunchakian Party in Lebanon ( Ararad daily) and California, U.S. ( Massis weekly) are both named for the mountain.
The Ararat brandy, produced by the Yerevan Brandy Company since 1887, is considered the most prestigious Eastern European brandy.
Ararat was depicted by non-Armenians, often in the books of European travelers in the 18th–19th centuries who visited Armenia.
The last two lines of Yeghishe Charents's 1920 poem "I Love My Armenia" (Ես իմ անուշ Հայաստանի) read: "And in the entire world you will not find a mountaintop like Ararat's. / Like an unreachable peak of glory I love my Mount Masis." In a 1926 poem dedicated to the mountain Avetik Isahakyan wrote: "Ages as though in second came, / Touched the grey crest of Ararat, / And passed by...! ... It's now your turn; you too, now, / Stare at its high and lordly brow, / And pass by...!"
Ararat is the most frequently cited symbol in the poetry of Hovhannes Shiraz. In collection of poems, Knar Hayastani (Lyre of Armenia) published in 1958, there are many poems "with very strong nationalist overtones, especially with respect to Mount Ararat (in Turkey) and the irredentism it entailed". In one such poem, "Ktak" (Bequest), Shiraz bequeaths his son Mt. Ararat to "keep it forever, / As the language of us Armenians, as the pillar of your father's home". A group of four Armenians buried Shiraz's heart at the summit of Ararat in 2006.
The first lines of Paruyr Sevak's 1961 poem "We Are Few..." (Քիչ ենք, բայց հայ ենք) read: "We are few, but they say of us we are Armenians. / We do not think ourselves superior to anyone. / Clearly we shall have to accept / That we, and only we, have an Ararat". In one short poem Silva Kaputikyan compares Armenia to an "ancient rock-carved fortress", the towers of which are Ararat and Mount Aragats.
In his Journey to Arzrum (Путешествие в Арзрум; 1835–36), the celebrated Russian poet Aleksandr Pushkin recounted his travels to the Caucasus and Armenia at the time of the 1828–29 Russo-Turkish War.
Russian Symbolist poet Valery Bryusov often referred to Ararat in his poetry and dedicated two poems to the mountain, which were published in 1917. Bryusov saw Ararat as the embodiment of antiquity of the Armenian people and their culture.
Russian poet Osip Mandelstam wrote fondly of Ararat during his 1933 travels in Armenia. "I have cultivated in myself a sixth sense, an 'Ararat' sense", the poet wrote, "the sense of an attraction to a mountain."
During his travels to Armenia, Soviet Russian writer Vasily Grossman observed Mount Ararat from Yerevan standing "high in the blue sky". He wrote that "with its gentle, tender contours, it seems to grow not out of the earth but out of the sky, as if it has condensed from its white clouds and its deep blue. It is this snowy mountain, this bluish-white sunlit mountain that shone in the eyes of those who wrote the Bible."
In The Maximus Poems (1953) American poet Charles Olson, who grew up near the Armenian neighborhood in Worcester, Massachusetts, compares the Ararat Hill near his childhood home to the mountain and "imagines he can capture an Armenian's immigrant perspective: the view of Ararat Hill as Mount Ararat".
The world renowned Turkish-Kurdish writer Yaşar Kemal's 1970 book entitled Ağrı Dağı Efsanesi ( The Legend of Mount Ararat) is about a local myth about a poor boy and the governor's daughter. There is also an opera (1971) and a film (1975) based on that novel.
In the 1984 science fiction novel Orion by Ben Bova, part three entitled “Flood” is set at an unspecified valley at the foot of Mount Ararat. The antagonist, Ahriman, floods the valley by melting the snow caps of the mountain in a bid to stop the invention of agriculture by a band of Epipalaeolithic hunter-gatherers.
Several major episodes in Declare (2001) by Tim Powers take place on Mount Ararat. In the book, it is the focal point of supernatural happenings.
Masis
Other names
Geography
Elevation
Summit ice cap
on its south-facing slope. Using pre-existing [[aerial imagery]] and [[remote sensing]] data, Sarıkaya and others studied the extent of the ice cap on Mount Ararat between 1976 and 2011.
Geology
Geological history
Recent volcanic and seismic activity
1840 eruption
Ascents
Religious objections
First ascent
Later notable ascents
Resting-place of Noah's Ark
Origin of the tradition
Prevalence of the tradition
Searches
Significance for Armenians
Symbolism
Myth of origin
Coat of arms of Armenia
Symbol of genocide and territorial claims
Cultural depictions
In visual art
According to a 1963 source, the first Armenian artist to depict the mountain was Ivan Aivazovsky, who created a painting of Ararat during his visit to Armenia in 1868. However, a late 17th century map by Eremia Chelebi, an Ottoman Armenian, depicting Ararat was later discovered. Other major Armenians artists who painted Ararat include Yeghishe Tadevosyan, Gevorg Bashinjaghian, Martiros Saryan, and Panos Terlemezian.
In literature
Armenian
Non-Armenian
In popular culture
Places named for Ararat
States
Gallery
See also
Notes
Citations
Sources
General works cited in the article
Specific works on Ararat
Books on Armenia with Ararat in their titles
External links
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